Download Wilson Street Gallery’s latest catalogue featuring images and essays for Anne Judell, Nola Jones, Bill Brown and Deborah Beck
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As we enter the 2010 exhibition year Wilson Street Gallery is pushing the boundaries. At our main gallery, there is an unexpected mix of the familiar and the new. Manne Schulze lures into his web experimental sound and video artist Ian Andrews in an intriguing conversation about the aesthetics and meaning of the vinyl record.
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The stuff of making art is curious and unexpected. Paint – its composition and methods of application are infinite. Drawing - pencils, charcoal, pastel, chalk. Sculpture - from heavy metal to gossamer paper and everything in between. Paper – of every weight and texture, inks of every hue and attribute. Mixed Media. The possibilities are endless.
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Every exhibition we mount at the gallery surprises us. Before the exhibition starts we preview images of the artists’ work and view paintings and sculptures in the artists’ ‘workshops. But hanging an exhibition adds
unexpected dimensions. The connections and congruencies come to life. The conceptual motivations of the artist crystallise.
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What a year this is turning out to be! We are in the eye of a life-changing, earth-changing whirlwind. There is an air of unreality as we go about our daily business. Things appear normal but the surrounding currents are powerful.
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The haze of form, colour and movement hangs over our major abstraction exhibition in December. At Wilson Street Gallery, you will see four of the finest artists today working in this elemental discipline – Kate Briscoe, Bill Brown, Graham Kuo and Alun Leach–Jones - in company with emerging artists and South Australian sculptor, Max Lyle. The power of this work is anything but latent.
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Spring. Two young artists, Carla Feltham and James Blackwell, launch their solo careers in Sydney, while Manne Schultz emerges from hibernation with an exhibition of trademark irreverence and originality. Wilson Street Gallery debuts at Art Sydney and Back Street opens its doors in an alley way off Mary St, as our stock room and alternative exhibition space.
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Three artists of a certain age populate our winter program. In an art world where limelight is captured by the emerging and experimental, the works of Bronwyn Bancroft, Michelle Collocott and Chris Gentle stand as testament to the value of a lifelong commitment to the creative process.
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This new publication, a unique venture for a Sydney art gallery, will preview our next three exhibitions, our artists, and provide glimpses from our stock room. In each edition we will also publish an essay which we hope will shed light on the mystery of art, its practitioners, politics and acquisition.
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Hanna Kay's book ‘Notes from the Shed’ – a journal of a year in her studio – published by Palgrave MacMillan in July 2007.
For further information, please contact the gallery.

VIEW VIDEO Extracts from 'notes from the shed', (2006) written by hanna kay, and read by brendan higgins.
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